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01.10 - 02.25.2021

"Geography is destiny": Anton Ginzburg in conversation with Keith Sanborn

Read the interview online

Featured Works

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Anton Ginzburg, <i>Translucent Concrete Series, Study #14</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, Translucent Concrete Series, Study #14, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
inventory
HG-347-46
https://helwasergallery.com/ve-files/cache/0001504_600x0_0_0.jpg
Anton Ginzburg, Translucent Concrete Series, Study #14, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #13</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, Translucent Concrete Series, Study #13, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
inventory
HG-346-46
https://helwasergallery.com/ve-files/cache/0001505_600x0_0_0.jpg
Anton Ginzburg, Translucent Concrete Series, Study #13, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #12</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, Translucent Concrete Series, Study #12, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
inventory
HG-345-46
https://helwasergallery.com/ve-files/cache/0001506_600x0_0_0.jpg
Anton Ginzburg, Translucent Concrete Series, Study #12, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #11</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, Translucent Concrete Series, Study #11, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
inventory
HG-344-46
https://helwasergallery.com/ve-files/cache/0001507_600x0_0_0.jpg
Anton Ginzburg, Translucent Concrete Series, Study #11, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Tivoli</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Tivoli, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-343-46
https://helwasergallery.com/ve-files/cache/0001501_600x0_0_0.jpg
Anton Ginzburg, Tivoli, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Sports Pharmacy</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Sports Pharmacy, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-342-46
https://helwasergallery.com/ve-files/cache/0001493_600x0_0_0.jpg
Anton Ginzburg, Sports Pharmacy, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Showerbath of the Patriarchs</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Showerbath of the Patriarchs, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-341-46
https://helwasergallery.com/ve-files/cache/0001498_600x0_0_0.jpg
Anton Ginzburg, Showerbath of the Patriarchs, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Housatonic Detour</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Housatonic Detour, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-339-46
https://helwasergallery.com/ve-files/cache/0001495_600x0_0_0.jpg
Anton Ginzburg, Housatonic Detour, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Hotel of Strangers</i>, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
Anton Ginzburg, Hotel of Strangers, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
inventory
HG-338-46
https://helwasergallery.com/ve-files/cache/0001491_600x0_0_0.jpg
Anton Ginzburg, Hotel of Strangers, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
Anton Ginzburg, <i>Hilma Provisions</i>, 2020, pigment, golden lead, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Hilma Provisions, 2020, pigment, golden lead, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-337-46
https://helwasergallery.com/ve-files/cache/0001500_600x0_0_0.jpg
Anton Ginzburg, Hilma Provisions, 2020, pigment, golden lead, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Golden Touch Sawmill</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Golden Touch Sawmill, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-336-46
https://helwasergallery.com/ve-files/cache/0001490_600x0_0_0.jpg
Anton Ginzburg, Golden Touch Sawmill, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>AF Allocation</i>, 2020, pigment, golden leaf, acrylic and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, AF Allocation, 2020, pigment, golden leaf, acrylic and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-334-46
https://helwasergallery.com/ve-files/cache/0001502_600x0_0_0.jpg
Anton Ginzburg, AF Allocation, 2020, pigment, golden leaf, acrylic and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Crete Concrete</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, Crete Concrete, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
inventory
HG-335-46
https://helwasergallery.com/ve-files/cache/0001494_600x0_0_0.jpg
Anton Ginzburg, Crete Concrete, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Rajbhog Street</i>, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
Anton Ginzburg, Rajbhog Street, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
inventory
HG-340-46
https://helwasergallery.com/ve-files/cache/0001492_600x0_0_0.jpg
Anton Ginzburg, Rajbhog Street, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #14</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #13</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #12</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Translucent Concrete Series, Study #11</i>, 2020, gouache and colored pencil on paper, 15 x 20 in (38 x 51 cm)
Anton Ginzburg, <i>Tivoli</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Sports Pharmacy</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Showerbath of the Patriarchs</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Housatonic Detour</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Hotel of Strangers</i>, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
Anton Ginzburg, <i>Hilma Provisions</i>, 2020, pigment, golden lead, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Golden Touch Sawmill</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>AF Allocation</i>, 2020, pigment, golden leaf, acrylic and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Crete Concrete</i>, 2020, pigment, acrylic, and oil on wood, 24 x 24 in (61 x 61 cm)
Anton Ginzburg, <i>Rajbhog Street</i>, 2020, pigment, acrylic, and oil on wood, 48 x 48 in (121.9 x 121.9 cm)
Featured Works
Press Release

Pandemic confinement gave artist Anton Ginzburg the chance to observe the high modernist architecture of downtown Manhattan in an unusual light. Framed through the large windows of his apartment, located at the end of the Bowery, the acute angles and geometries of Brutalist buildings and high-rise towers became the subject of Ginzburg’s latest body of paintings. Entitled Translucent Concrete, the series serves as an abstract record of Ginzburg’s impressions of interior and exterior scenes that he observed during time spent indoors, or on walks through the deserted neighborhood. In this interview, presented on the occasion of Ginzburg’s second solo exhibition with the gallery, Ginzburg speaks with artist, theorist, and translator Keith Sanborn. For Ginzburg, French writer Ivan Chtcheglov’s manifesto “Formulary for a New Urbanism” was an intellectual influence. Published by the avant-garde movement Situationist International, which was active between the 1950s and 1970s, Chtcheglov was concerned with concepts of how human affect could interact with the urban dimension of the city. Sanborn and Ginzburg discuss the links between this latest series of paintings with the ideals of the Situationist International and reflect on the changing realities of urban living today.

This conversation was published on the occasion of Ginzburg's second solo exhibition with the gallery.

Read the conversation here.

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