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John Wesley

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John Wesley, <i>B's Bed</i>, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
John Wesley, B's Bed, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
inventory
HG-106-176
https://helwasergallery.com/ve-files/cache/0000655_600x0_0_0.jpg
John Wesley, B's Bed, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
John Wesley, <i>B's Bed</i>, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
John Wesley, B's Bed, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
inventory
HG-106-176
https://helwasergallery.com/ve-files/cache/0000648_600x0_0_0.jpg
John Wesley, B's Bed, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
John Wesley, <i>B's Bed</i>, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)
John Wesley, <i>B's Bed</i>, 1973-4, gouache on paper, 21 x 26 in. (53.34 x 66.04 cm)

Biography

John Wesley is a contemporary American painter. Characterized by his uniquely graphic, flattened Pop paintings, Wesley’s work addresses themes of sexuality and erotica through stylized and symmetrically composed images. Rendered in distinctive pink and blue pastel hues, Wesley repeats the same graphic symbolic images in tessellation-like patterns on his large canvases, and regularly employs leitmotifs like pornography and avian fowl—often to humorous effect—throughout his oeuvre. Though his paintings are reminiscent of his contemporary Tom Wesselmann, his personal associations were with peers Dan Flavinand Donald Judd, and he was inspired by both the Minimalist and Surrealist movements. That being said, “I didn’t go out and try to be a Surrealist,” Wesley explained of his ambiguous imagery. “It was just fun doing what I was doing.” Born on November 25, 1928 in Los Angeles, CA, he was a self-taught artist who worked for several years an illustrator for the avian industry. His work has been critically acclaimed throughout his career, and he has been the subject of several retrospectives, notably including at the PS1 Contemporary Art Center in New York in 2000.

 

(biography via artnet.com)